5 This Egyptian way of writing appears consisting of sketches and images-mainly borrowed from nature-that in modern times were transliterated (by Champollion): the corresponding spoken language is not known yet, and remains an enigma, as a riddle. It is important to keep in mind that 'hieroglyphs' ("sacred carvings") is a composed Greek "word", hieros-glyphi (ἱερός γλυφή), indicating the sacred writing system used in Egypt.
4 One can better understand the origin of this specific sacred text-the hieroglyphs G39 and N5-thinking and reasoning in Sanskrit, the archaic Indo-European (and African indeed) perfectly composed, sacred language.
The block (G39 + N5) indicated the definition of the king, the Pharaoh, as deity, his divine title: 'Son of the sun': the child of the sun. 3 The current way of speaking and the standard pronounciation of this block (G39 + N5) adopted by modern scholars and learned men is /Sa-Ra/, being the accepted, pronounced diction of G39 equal to /Sa/, and being /Ra/ the pronounciation of the sun disc, N5. Abstract: this visual working paper is meant to translate the meaning of a specific Egyptian hieroglyphic block, consistig of the signs known as G39-a goose bird walking on earth-and N5-the sun disc moving in the air-of Gardiner's List. Hieroglyphs, the 'sacred writings', and the "sacred" (saMskRta, "Sanskrit") "oracular words" (vaca, "sun", "bird", "sacred text") of the "language" (bhasa, "bird") "spoken" (vata, "bird") along the "Blu" (Nila) Nile and in a "multitude" (mandala, "sun disc", "zone", cakra, "disc", "bird") of "places" (pitha, "sun"). The "song" (kheli) of the "bird" (kheli) of the "sun" (kheli) on "earth" (keli).
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